Novelist Alex Michaelides (The Silent Patient, The Fury) joins Andy and John to discuss Ford Madox Ford’s classic novel The Good Soldier (1915), a tale of passion in which, owing to a narrator of almost comic unreliability, nothing can be taken for granted. It is a book that seems to change on every reading, both a kaleidoscopic psychological drama and ‘the saddest story I have ever heard’. During his lifetime ‘Fordie’ was, variously, a prolific author, a publisher of historical note, a notable polyamorist and a serial liar; we consider the extent to which the character of John Dowell inThe Good Soldier may be considered a self-portrait. This episode was recorded live on stage at Foyles, Charing Cross Road in London on the evening of 15th May 2024 and is the first date of a monthly residency. Tickets for the 12th June show, on the subject of Sir Gawain and the Green Knight, are available now via the Foyles website.

This episode is a little different from a regular Backlisted, the next episode of which has been delayed through illness (though given that its subject is the radio scripts of A Hitchhiker’s Guide to the Galaxy by Douglas Adams, this tardiness may not come as a complete surprise). A conversation about shelftalkers in bookshops leads to a broader discussion about where we get our book recommendations and Andy runs a quiz based on the principle of algorithmic recommendation. There is also a discussion inspired by Thomas Bernhard’s pitch black 1980’s novel The Cheap Eaters (translated by Douglas Robertson) and John Boorman and Bill Stairs’ 1974 novelisation of the cult film, Zardoz.

For this episode we are joined by the writer, Noreen Masud, author of the acclaimed memoir, A Flat Place (currently shortlisted for the Women’s Prize for Non-Fiction). The book she has chosen to discuss is A Marsh Island, a 19th century American novel by Sarah Orne Jowett, who is usually considered one of the foremost proponents of American regionalism – an assumption this episode investigates. The book was first serialised in the Atlantic Monthly magazine in 1885 and published by Houghton Mifflin later that year. The story centres on Dick Dale, a wealthy young urban bohemian artist who finds himself billeted with a traditional farming family in the middle of New England’s Great Salt Marsh. His impact on the small community over the course of a harvest provides what plot there is – but the novel is rich in atmosphere and interior reflection, exploring the complex tensions between rural and urban ways of life in late 19th century East Coast America. It was written at a moment in Jewett’s own life when she had just begun an unconventional relationship with another woman and the episode also explores how that plays out in the subversive presentation of the relationships in the novel.

Novelist Andrew Hunter Murray and biographer Laura Thompson join us to discuss The Children of Men (1992), a dystopian thriller by the late P.D. James. The author is probably best remembered as one of Britain’s greatest exponents of detective fiction, an heir to the Golden Age of female novelists such as Agatha Christie, Ngaio Marsh, Dorothy Sayers et al. In The Children of Men, however, James depicts a nightmare near-future in which the world is literally coming to an end. The book became a bestseller; in 2006, it was adapted for the big screen by the Mexican director Alfonso Cuarón. We look at the ways in which James explored issues that seem eerily contemporary: the societal impact of an uncontrolled virus, falling fertility rates, an ageing population, the rise of populism and accompanying exploitation of migrant labour. She also knew how to grip her readers to the very last page. Phyllis Dorothy James, Baroness James of Holland Park, lived a long and remarkable life and it was a pleasure for all of us to revisit her work and biography in this episode.

Award-winning poet Emily Berry joins us to consider the work and troubled life of Anne Sexton. We focus on her brilliant second collection All My Pretty Ones (1962). Sexton was a trailblazing American poet of the so-called ‘confessional’ school of the 1960s, one whose writing continues to provoke controversy and debate; her friends and contemporaries included Sylvia Plath and John Berryman. We hear from Sexton herself, in recordings of readings and interviews, and fronting own experimental jazz-rock ensemble, Anne Sexton and Her Kind, and also from her daughter Linda. Please note: Anne Sexton was an unflinching chronicler of her own struggle with mental illness, and this episode contains extensive discussion of suicide and sexual abuse.

This fully illustrated, lavishly produced episode of Backlisted represents the last word in coffee table books. Join John, Andy and Nicky as we dip into the origin, design and continuing appeal of specialist hardcover publishing, via some of our favourite cookery books, exhibition catalogues and sumptuous volumes simply too beautiful to leave on the shelf. Thank you to our Patrons for their contributions to our virtual quarto library; as you will hear, we loved making this show, which is as deep as it is long. And remember: a coffee table book is for life, not just for Christmas.

This episode of Backlisted is devoted to A Life in Movies (1986), the first volume of memoirs of the filmmaker Michael Powell who, with his partner Emeric Pressburger, is responsible for some of the finest, most magical and soulful films ever to come out of the UK: The Life and Death of Colonel Blimp, Black Narcissus, The Red Shoes, and many more. Joining us for a discussion of Powell’s life and work – and his vision of cinema as a space in which all the other arts may find expression – are memoirist and critic James Cook and film writer and academic Melanie Williams. We focus on four productions of the Archers that between them tell the story of Powell and Pressburger’s achievement: The Spy in Black, A Matter of Life and Death, “I Know Where I’m Going!” and Gone to Earth. If for some reason you have yet to see these films, or any of Michael Powell’s work, set aside some time for your next personal obsession. You’ll be glad you did.

This episode was recorded in the great city of Liverpool and celebrates the life and work of a great Liverpudlian: George Melly, sometime writer, jazz and blues singer, artist, critic, lecturer and aficionado of surrealism. We are joined by two resident experts: the writer Jeff Young and the playwright and screenwriter, Lizzie Nunnery. The book under discussion is Melly’s Scouse Mouse, which is chronologically the first part of Melly’s memoirs. It was first published by Weidenfeld & Nicolson in 1984 and was the third to be released despite covering the first fourteen years of Melly’s life, painting a vivid portrait of growing up in a middle-class Liverpool family, tinged with eccentricity and theatricality, and his painful experiences at boarding school. Subtitled ‘I Never Got Over It’, it was preceded by Rum, Bum & Concertina, an account of his time in the navy, published in 1977, and Owning It, which covers his years as an aspiring musician in the jazz world of the 1950s, first published in 1965. The final volume, Slowing Down was published in 2005, two years before Melly died. Scouse Mouse was his Melly’s personal favourite of the four: ‘I don’t know why the events of over sixty years ago should be so much clearer than those of yesterday afternoon, but they are.’ He also adopted that ever-useful motto for the memoirist: ‘Life is lived forwards but understood backwards.’ How much this classic childhood memoir helps us understand the outrageous, complex and multi-faceted life of the grown-up George Melly is just one of the things the panel explore. They also revisit his brilliant book on the pop culture of the1960s, Revolt into Style, a book Andy first discussed back on episode 22 on Randall Jarrell’s The Animal Family.

We are joined by the writer Andrew Hankinson to discuss Walter Greenwood’s classic novel of Northern working-class life. First published in 1933, Love on the Dole, revolves explores the fortunes of the Hardcastle family, who live in industrial Salford in the 1930s, just as the Depression is beginning to bite. Greenwood’s authentic portrayal of the corrosive effects of mass unemployment and poverty was well received by critics, but it wasn’t until the 1934 stage version had become a hit, that the book became a bestseller. It is estimated that a million people has seen the play by the end of 1935 and the book has remained in print ever since. However, it had to wait until 1941 before being made into a classic film which featured Deborah Kerr in her first starring role. We discuss the books connections to other working-class novels, its wider cultural impact and its influence on the gritty social dramas of the 1960s, the interesting differences between the book and the film adaptation, and we ask why, despite the classic status accorded to Love on the Dole, Greenwood himself and his nine other novels have faded into obscurity.