Like all right-thinking people, we loved The Dark Knight–but because we are also writers obsessed with the craft of storytelling, we liked it for very specific, very nerdy reasons. Join us as we take a journey through What The Dark Knight Did Right: s…

Just as no burger is complete without its fries, no protagonist is complete without his sidekick, or his mother, or his entomologist, or whatever side character you decide to give him. This week we talk about why side characters are important,

In this, the last of our WorldCon 66 episodes, Brandon, Dan, and Howard interview Name of the Wind author Patrick Rothfuss. We discuss exposition, and how not to bore people as you move them through the learning curve.

One of the biggest areas of professional creative writing these days is game writing, and who better to talk to about it than Steve Jackson–yes, THE Steve Jackson. We start off trying to talk about game adaptations,

Last week we talked to an editor, this week we talk to OUR editor: Brandon’s and Dan’s editor at Tor, Moshe Feder. It’s a great opportunity to learn more about how an author and editor work together to help make a book the best it can possibly be.

So what exactly does an editor, do, anyway? We’ve already talked about the process of submitting to an editor; today we talk about the millions of vital things that happen after an editor says “I want to buy your book.” Not only that,

This is the first of five episodes recorded on location at WorldCon 66 in the Colorado Convention Center in Denver. Brandon, Dan, and Howard are joined by Phil and Kaja Foglio, and we discuss writing for webcomics… no, wait…

The Writing Excuses team sits down to talk about religion as a world-building device: your characters probably believe in something, so what is it? How does it affect their lives? How does it change their thoughts and motivations (and swear words)?

What is horror? Why is it scary? HOW is it scary? Forced by their grandfather’s will to spend an entire night in his spooky mansion, our podcasters gather to discuss the nuts and bolts of what horror is (and isn’t) and how it works behind the scenes.