Sarah Palin has many faces: hockey mom, fundamentalist Christian, sex symbol, Republican ideologue, fashion icon, “maverick� populist. But, above all, Palin has become one thing: an American obsession that just won’t go away. Edited by two senior editors at The Nation magazine, this sharp, smart, up-to-the-minute book examines Palin’s quirky origins in Wasilla, Alaska, her spectacular rise to the effective leadership of the Republican Party, and the nightmarish prospect of her continuing to dominate the nation’s political scene. With contributions by: Amy Alexander, Max Blumenthal, Juan Cole, Joe Conason, Jeanne Devon, Eve Ensler, Michelle Goldberg, Jane Hamsher, Christopher Hayes, Mark Hertsgaard, Jim Hightower, Linda Hirshman, Naomi Klein, Dahlia Lithwick, Amanda Marcotte, Jane Mayer, Shannyn Moore, John Nichols, Rick Perlstein, Tom Perrotta, Katha Pollitt, Robert Reich, Frank Rich, Hanna Rosin, Jeff Sharlet, Matt Taibbi, Michael Tomasky, Rebecca Traister, Katrina vanden Heuvel, Jessica Valenti, Patricia Williams, JoAnn Wypijewski and Gary Younge among others.

For the Palestinians who live in the narrow coastal strip of Gaza, the December 2008 Israeli invasion was a nightmare of unimaginable proportions: in the 22-day-long action 1,400 Gazans were killed, several hundred on the first day alone. More than 6,000 homes were destroyed or badly damaged. The cost of the destruction and disruption of economic life, in one of the world’s poorest areas, is estimated at more than $3 billion. And yet, while nothing should diminish recognition of Palestinian suffering through these frightful days, it is possible something redemptive will emerge from the tragedy of Gaza. For, as Norman Finkelstein details, in a concise work that melds cold anger with cool analysis, the profound injustice of the Israeli assault has been widely recognized by organizations impossible to brand as partial or extremist. Amnesty International, Human Rights Watch, and the UN investigation headed by Richard Goldstone, in documenting Israel's use of indiscriminate and intentional force against the civilian population during the invasion (100 Palestinians died for every one Israeli), have had an impact on traditional support for Israel. Jews in both the United States and the United Kingdom, for instance, are beginning to voice dissent, and this trend is especially apparent among the young. Such a shift, Finkelstein contends, can result in new pressure capable of moving the Middle East crisis towards a solution, one that embraces justice for Palestinians and Israelis alike. The seeds of hope were thus sown in the bitter anguish of Gaza. “This Time We Went Too Far�, written with Finkelstein’s customary acuity and precision, will surely advance the process it so eloquently describes. Norman G. Finkelstein’s books include Beyond Chutzpah, The Holocaust Industry, A Nation on Trial and Image and Reality of the Israel-Palestine Conflict.

In literary America, to utter the name “Gordon Lish� in a conversation is like adding hot sauce to a meal. You either enjoy the zesty experience, one that pushes your limits –– or you prefer to stay away. It’s Lish who, first as fiction editor at Esquire magazine (where he earned the nickname “Captain Fiction�) and then at the publisher Alfred A. Knopf, shaped the work of many of the country’s foremost writers, from Raymond Carver and Barry Hannah to Amy Hempel and Lily Tuck. As a writer himself, Lish’s stripped-down, brutally spare style earns accolades in increasing numbers. His oeuvre is coming to be recognized as among the most significant of the period that spans the transition between the 20th and 21st centuries. Kirkus Reviews wrote of his last collection that “Lish…is still our Joyce, our Beckett, our most true modernist.� This definitive collection of Lish’s short work includes a new foreword by the author and 106 stories, many of which Lish has revised exclusively for this edition. His observations are in turn achingly sad and wryly funny as they spark recognition of our common, clumsy humanity. There are no heroes here, except, perhaps, for all of us, as we muddle our way through life: they are stories of unfaithful husbands, inadequate fathers, restless children and writing teachers, men lost in their middle age: more often than not first-person tales narrated by one “Gordon Lish.� The take on life is bemused, satirical, and relentlessly accurate; the language unadorned: the result is a model of modernist prose and a volume of enduring literary craftsmanship.

Eastern Mediterranean, Monday, May 31st, 2010, 4.30am: Israeli commandos, boarding from sea and air, attack the six boats of the Gaza Freedom Flotilla as it sails through international waters bringing humanitarian relief to the beleaguered Palestinians of Gaza. Within minutes, nine peace activists are dead, shot by the Israelis. Scores of others are injured. The 700 people on board the ships are arrested before being transported to detention centers in Israel and then deported. Within hours, outrage at Israel’s action echoes around the world. Spontaneous demonstrations in Europe, the United States, Turkey, and Gaza itself denounce the attack. Turkey’s prime minister describes it as a “bloody massacreâ€� and “state terrorism.â€� Lebanon’s prime minister calls it “a dangerous and crazy step that will exacerbate tensions in the region.â€� In these pages, a range of activists, journalists, and analysts piece together the events that occurred that May night, unpicking their meanings for Israel’s illegal, three-year-long blockade of Gaza and the decades-long Israel/Palestine conflict more generally. Mixing together first-hand testimony, documentary record, and illustration, with hard-headed analysis and historical overview, Midnight on the Mavi Marmara reveals why the attack on Gaza Freedom Flotilla may just turn out to be Israel’s Selma, Alabama: the beginning of the end for an apartheid Palestine. CONTRIBUTORS: Ali Abunimah, Eyad Al Sarraj, Lamis Andoni, Omar Barghouti, George Bisharat, Max Blumenthal, Noam Chomsky, Marsha B. Cohen, Juan Cole, Murat Dagli, Jamal Elshayyal, Sümeyye Ertekin, Norman Finkelstein, Neve Gordon, Glenn Greenwald, Arun Gupta, Amira Hass, Nadia Hijab, Adam Horowitz, Rashid Khalidi, Stephen Kinzer, Iara Lee, Henning Mankell, Paul Larudee, Gideon Levy, Alia Malek, Lubna Masarwa, Mike Marqusee, Yousef Munayyer, Ken O’Keefe, Daniel Luban, Kevin Ovenden, Ilan Pappé, Doron Rosenblum, Sara Roy, Ben Saul, Adam Shapiro, Raja Shehadeh, Henry Siegman, Ahdaf Soueif, Raji Sourani, Richard Tillinghast, Alice Walker, Stephen M. Walt, Philip Weiss, and Haneen Zoabi.

From its beginning�"My English professor's ass was so beautiful."�to its end�"You can actually learn to have grace. And that's heaven."�poet, essayist and performer Eileen Myles' chronicle transmits an energy and vividness that will not soon leave its readers. Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny. This is a voice from the underground that redefines the meaning of the word.